March Magazine












March 2023
-Profile-
Adriana Giordano: Deepeneing Seattle’s Brazilian Music Understanding
-Feature-
-Previews-
“Inspired by Women Composers” Ann Reynolds Trio
2022 Golden Ear Awards Party feat. Marina Albero Trio
-Community Corner-
Reflections on Winter Jazzfest: Could Seattle Take a Page?
-Album Reviews-
Masthead
March 2023
Volume 39, No. 3
Executive Director
John Gilbreath
Managing Director
Karen Caropepe
Patron Services Manager
Lucienne Grace
Communications and Marketing Associate
Maddy Horn
Earshot Jazz Editor
Rayna Mathis
Earshot Jazz Copy Editor
Sarrah Trapp
Contributing Writers/Artists
David Benedict
Halynn Blanchard
Angela Dane
Andrew Meyer
Alexa Peters
Paul Rauch
Jonathan Shipley
M.V.Smith
Calendar Editors
Carol Levin
Jane Emerson
Photography
Daniel Sheehan
Layout
Karen Caropepe
Distribution
Karen Caropepe
Dan Dubie
Earshot Jazz volunteers
Send Calendar Information to:
Add a gig to the calendar online or send us an email.
Board of Directors
Chris Icasiano (President)
Jazmyn Scott (Vice President)
Augusto Cardoso (Secretary)
Kelly Clingan
Alex Dugdale
Arlene Fairfield
Sheila Hughes
Maurice James
Ruby Smith Love
Marcos Zuñiga
Emeritus Board Members
Clarence Acox
Sue Coliton
Taina Honkalehto
Hideo Makihara
Kenneth W. Masters
Peter Monaghan
Lola Pedrini
Richard Thurston
Paul Toliver
Cuong Vu
Founded in 1984 by Paul de Barros, Gary Bannister, and Allen Youngblood.
Earshot Jazz is published monthly by Earshot Jazz Society of Seattle.
Subscription (with membership): $35
3417 Fremont Ave N, #221
Seattle, WA 98103
phone / (206) 547-6763
Earshot Jazz ISSN 1077-0984
Printed by Wenatchee World
© 2023 Earshot Jazz Society of Seattle
Letter From The Director
Marching On
I’ve always loved Michel Legrand’s song, “You Must Believe in Spring,” as much for the uncomplicated certainty of its title, as for the poignant optimism of its lyric. It is not a happy-go-lucky blow of sunshine. Far from it. The song comes from a world-weary place to remind us “of things that come and go / where what you think you know / you can’t be certain of.” With these grey COVID winters around us, we need some gentle reminders to believe in better times.
But our collective march forth has yielded positive change, despite the chill still in the air. Hunkered in the creative flow of jazz, we expect the sound of the music to change as a matter of course, but the face and soul of the music are also changing, and that’s a good thing.
With this March issue of Earshot, we celebrate the women artists who, in increasing numbers, are enriching the art form. The growing number of women on the bandstands today is very good news, but the incredible number of young women coming up through the educational systems can only bring positivity to the long-range forecast.
We’re delighted to present the brilliant, young vocalist Samara Joy in a sold-out concert in the Great Hall of Town Hall Seattle on March 17. It was our pleasure to present the then twenty-year-old Joy to 200 people in a show at Langston on our 2021 festival alongside the pianist Sullivan Fortner. Now, with two recent Grammys under her belt and a seven-piece band on the stage, she’s going on to embody the continuing spirit of the art form, honoring the past with a steady gaze and a sure-footed stride to the future.
We’re also looking forward to the return of the brilliant young saxophonist Immanuel Wilkins, appearing with his quartet on April 1 in the gorgeous new concert room at the downtown campus of Cornish College of the Arts. His festival show in 2021 was one for the ages. Wilkins, like Joy, is in his early 20’s; his Blue Note Records release, The 7th Hand, won huge praise as the top jazz release of 2022.
So, there is a spring! There is so much great music out there right now, and there is much more to come. And, most rewarding, the incredible technical skills that these artists bring to the stage are wrapped in a deep, spiritual connection to the source. Because, as the song says, “You must believe in spring and love.”
See you out there.
–JOHN GILBREATH, EXECUTIVE DIRECTOR