November Magazine
November 2020
-Notes-
-Profile-
-Festival Previews-
-For The Record-
Masthead
November 2020
Volume 36, No. 11
Executive Director
John Gilbreath
Managing Director
Karen Caropepe
Marketing & Development Associate
Lucienne Aggarwal
Editors
Lucienne Aggarwal
Contributing Writers/Artists
Paul de Barros
Zach Frimmel
Marianne Gonterman
Paul Rauch
Jonathan Shipley
Calendar Editors
Carol Levin
Jane Emerson
Photography
Daniel Sheehan
Layout
Karen Caropepe
Distribution
Karen Caropepe
Dan Dubie
Earshot Jazz volunteers
Send Calendar Information to:
Add a gig to the calendar online or send us an email.
Board of Directors
Chris Icasiano (President)
Sheila Hughes (Vice President)
Chris Nutter (Secretary)
Augusto Cardoso
John W. Comerford
Maurice James
Danielle Leigh
Gail Pettis
Ruby Smith Love
Diane Wah
Emeritus Board Members
Clarence Acox
Sue Coliton
Taina Honkalehto
Hideo Makihara
Kenneth W. Masters
Peter Monaghan
Lola Pedrini
Richard Thurston
Paul Toliver
Cuong Vu
Founded in 1984 by Paul de Barros, Gary Bannister, and Allen Youngblood.
Earshot Jazz is published monthly by Earshot Jazz Society of Seattle.
Subscription (with membership): $35
3417 Fremont Ave N, #221
Seattle, WA 98103
phone / (206) 547-6763
Earshot Jazz ISSN 1077-0984
Printed by Yakima Herald-Republic
© 2020 Earshot Jazz Society of Seattle
Letter From The Director
Paying for Change
At this writing, the 2020 Earshot Jazz Festival is solidly underway, and, while we’re concentrating on the quality of our pivot to streaming concerts online, the sound and spirit of the music is stronger and more satisfying than ever. Each day’s festival events have testified to the overall importance of the arts in daily life, and the essential role that artists play as “instruments” of creative spirit, guides to deeper beauty, and stewards of cultural treasures.
It’s been especially gratifying this year to focus on Ahamefule J. Oluo as our featured resident artists. Aham first came to the Earshot Jazz festivals in the late 1990’s as an eager student volunteer, whose abundance of initiative and proximity to festival artists drew him into personal conversations with jazz legends that would inspire his own artistic path. It has been gratifying for us to witness his evolution as a truly distinctive artist.
The Earshot Jazz organization has been supporting the growing legacy of Seattle’s jazz community for over 35 years; one relationship at a time. Whether documenting the scene with the Earshot Jazz magazine, assisting individual artists with career advancement, promoting the art form through creative collaborations, supporting jazz education programs, or presenting one-of-a-kind concert experiences like those in this year’s festival, Earshot is in it for the long haul. We appreciate your support in making that possible.
But, while Jazz is stronger than ever, the good health of American society is less evident. Divisiveness and conflict have become the order of the day, even around fundamental truths such as human equality and public health. The every-day challenges that we all face are exacerbated by politics and big biz that seem to thrive on disinformation, disrespect, and disconnection. It’s “divide and conquer,” without the conquer part. And our imposed isolation just makes it more acute.
We join you all in the struggle for positive change. But, even if we achieve needed changes in the political landscape, the deep scars of division between people are not likely to begin healing overnight. I believe we can make the changes, but we’ll have to get it together. There is no “us and them.” There’s only us. And if we are each one of the 8 billion interconnected cells that comprise the whole organism of humankind, why would we even consider turning away from love?
Stay strong. Stay healthy. Stay inspired.
—John Gilbreath, Executive Director