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Masthead

November 2021

Volume 37, No. 11


Executive Director

John Gilbreath

Managing Director

Karen Caropepe

 Marketing & Development Associate

Lucienne Aggarwal

Editor

Rayna Mathis

Contributing Writers/Artists

Paul de Barros
Emma Garofalo
Marianne Gonterman
Grace Kaste
Dennis Moran
Paul Rauch
Carlos Snaider

Calendar Editors

Carol Levin
Jane Emerson

Photography

Daniel Sheehan

Layout

Karen Caropepe

Distribution

Karen Caropepe
Dan Dubie
Earshot Jazz volunteers

Send Calendar Information to:

Add a gig to the calendar online or send us an email.

Board of Directors

Chris Icasiano (President)
Sheila Hughes (Vice President)
Augusto Cardoso
John W. Comerford
Maurice James
Ruby Smith Love
Jazmyn Scott
Diane Wah

Emeritus Board Members

Clarence Acox
Sue Coliton
Taina Honkalehto
Hideo Makihara
Kenneth W. Masters
Peter Monaghan
Lola Pedrini
Richard Thurston
Paul Toliver
Cuong Vu

Founded in 1984 by Paul de Barros, Gary Bannister, and Allen Youngblood.
Earshot Jazz is published monthly by Earshot Jazz Society of Seattle.

Subscription (with membership): $35
3417 Fremont Ave N, #221
Seattle, WA 98103
phone / (206) 547-6763

Earshot Jazz ISSN 1077-0984
Printed by Wenatchee World
© 2021 Earshot Jazz Society of Seattle

Letter From The Director

ENCORE!

It has been maximally refreshing to see so many eager faces at this year’s Earshot Jazz Festival and to feel so many grateful spirits engaging with the nourishing dynamics of live creative music. We’ve all been on an unfolding journey through serious times together, but each life has a story to tell. So, too, the experience of being in the presence of live music with others is both communal and personal. The incredible depth and diversity of which jazz embodies feels like the perfect healing tonic for this moment.  

We’re grateful to be here in Seattle; not only for its commitment to arts and culture, but for its exemplary dedication to advancing COVID safety protocols. Without exception, audience members have been respectful of each other, and happy to participate in vaccination, masking, and safety check-ins at events. And we’re so grateful to our community partners; Langston Seattle, Town Hall, Royal Room, the Chapel, and so many others. 

Our work here is to celebrate and support jazz in Seattle, in service to our audiences, artists, students, and educators. That work includes the presentation of artists from around the world, and around the Seattle region, who make jazz what it is today. The annual Earshot festival frequently gains national press attention and participates in national jazz-support initiatives. Through an active schedule of concerts, our monthly magazine (now fully archived), and expansive community engagement activities, the Earshot organization shines a positive light on the entirety of Seattle’s jazz scene to the rest of the world. 

Those very lights, the entirety of Seattle’s incredible jazz scene, are coming back onto the stage for more music. 

Seattle’s finest jazz room, Dimitriou’s Jazz Alley, is going strong with a full schedule of shows. Thomas Marriott’s new Seattle Jazz Fellowship is christening a weekly series at Vermillion on Capitol Hill Wednesday evenings. The cozy new restaurant and jazz venue Calluna is open and presenting live jazz. The Royal Room in Columbia City has reopened with a regular schedule that includes a new Monday night jam session. And, speaking of jam sessions, Mo’Jam Mondays are back at the Nectar Lounge, the Tuesday sessions at the Owl ‘n Thistle Tuesday are going strong, and the Racer Sessions are back on the first and third Sundays, in a shiny new Café Racer on Capitol Hill. 

New and exciting jazz programming is emerging each month. Check our Jazz Around the Sound calendar in this issue for jazz happenings throughout November. And, as always, find up-to-date information at earshot.org.

Support live jazz! See you soon.

–JOHN GILBREATH, EXECUTIVE DIRECTOR

 

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