“Damn the Torpedoes…”
In this Letter from the Director, John Gilbreath discusses jazz history and the upcoming 2014 Earshot Jazz Festival.
In this Letter from the Director, John Gilbreath discusses jazz history and the upcoming 2014 Earshot Jazz Festival.
In this Letter from the Director, John Gilbreath discusses the upcoming Earshot Jazz Festival and the Seattle Jazz scene, highlighting the new concert series by Table and Chairs.
In this Letter from the Director, John Gilbreath discusses the upcoming Jazz: The Second Century series and other concert series produced by Earshot Jazz.
In this Letter from the Director, John Gilbreath looks forward to the Vancouver International Jazz Festival.
In this Letter from the Director, John Gilbreath discusses the journey of Earshot Jazz from its original founding in 1984 to today.
In this Letter from the Director, John Gilbreath discusses Jazz Appreciation Month (JAM) and related performances and celebrations.
In the Letter from the Director, John Gilbreath discusses the Golden Ear Awards and ballot for the upcoming awards party.
John Gilbreath reviews events and happenings in the New York jazz scene as well as recipients for the NEA Jazz Masters Awards.
In this Letter from the Director, John Gilbreath welcomes the new year and looks back to Earshot’s beginning in 1984 before discussing new programming and opportunities for the organization.
In this Letter from the Director, John Gilbreath concludes Earshot 25 by thanking everyone who contributed to making Earshot 25 come to fruition including all the artists, partnering institutions, donors, businesses, and volunteers. He also announces that the National Endowment for the Arts will be funding Earshot Jazz 2014.
Earshot Jazz honors jazz as a vital Black American art form through live performance presentations, artist advocacy, and community engagement.
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